Keeping Kids Interested
I’ve not got kids, I’ve forgotten how their minds work, I just remember getting very bored very quickly when I was one and am always conscious of that when I’m lucky enough to have a couple of kids to photograph.
It is a darn shame the world would see you burn in hell before let you point a camera at a child, but I got lucks last sunday when Kat from work asked me to photograph her little bundles of joy in Leeds. They really are one of the best subjects to capture, inhibitions are low, moods swing fast, they are full of energy and really responsive to requests..
So they turned up in Park Square, leeds – right in the middle of the financial area, what a place to shoot
– it was about 3:30, so ambient light was pretty much gone. So I set up to strobes, pretty high up on 1/16th power and a wide angle (24mm) to get a decent coverage. I got them sat on the bench and asked them to pose… got some funny faces then that “slightly bored” look….
So time to think Ade…
What do you do?
Well I asked who could jump highest… got the 17mm lens, led on the floor and got them jumping in front of me.
I’d won them back – after a few jumps, I just invited them to “play” on the path, simple, no instructions. “Do the red arrows”, that manoeuvre where the planes pass each other, but appear to be on a collision course. So they did that and started running like posessed animals. Fantastic… then I realise that my 24-105 F4 can’t AF on them, they’re moving way to much to contemplate manual focus… so out with the 70-200 F2.8 and put the camera in in Servo AF, so you can lock on to them and follow them around..
I get about 5 shots, then even F2.8 wasn’t working… the AF assist beams don’t work when you’re using radio transmitters either…
So do I tell them to stop? Pose in a place I can focus on them? Risk losing them to bordham?
Nah – what’s the fastest focussing lens in my bag… a Lensbaby V2. Just squeeze and click…
So that;s what I used for 40 minutes – entertained them by changing the apertures and showing them the stars and flowers in the background, they were well into it.
After about an hour of shooting I’d filled a 4 gig card, they looked goosed and we’d all had an enjoyable session.
So you look at the technique…
- a couple of lights set up, one at 3PM, one at 8 – the kids were rarely in position to get “correct lighting”….
- manual focus lensbaby….lots of blurry stuff…
It’s all wrong isn’t it, not professional at all…
You then give a disc to their mum and the next day you get the feedback… they loved them, all of the family around the computer for ages having a right laugh.
Too many shots from childhood are staged, kids having to pose and look unnatural, not character at all – you remember more about the jumper the kid’s wearing than what they were like. With this technique, if you can call it something so grand, I’ve managed to capture 2 kids being kids, which I think is something they’ll really enjoy looking back on in 20 years time – or on their 21st birthday when Kat drags the photos out and embarasses them!
Here are a few shots from the shoot – mostly unprocessed except in Capture One
- Peace man….?































Fantastic Ade! Kids photography is not for the faint hearted, everyone thinks it’s easy because they have photographed their own kids with a camera phone but it’s hard work. I try to make the sessions I shoot as fun as possible so that everyone goes away happy and not traumatised!! I love it though because there’s any honesty with kids you just can’t make up!
Cheers Mandy – this shoot was “experimental” to say the least, they were not paying, just a “TFCD” deal, so I can use them for promo work and they get shots to give away as Xmas presents.
I really wanted them to do stuff on the spot where I’d set the lights up for, but there’s no chance… the last thing I wanted to do was to stop the energy they’d generated by playing: if i’d told them to both stand still and direct them, they’d loose it, I could just tell.
I’d probably put the lights higher up, futher away and on higher power next time to get a bigger coverage of light.
I may put one at 3PM, 9PM (both pointing in from the sides) and one behind me on lower power to get a “sin city” lighting effect (we did that once at a 4-togs session)
Ah well – next shoot is Sunday if the flu passes