:-)

Filed under Uncategorized • Written by Ade @ 10:49 pm

Got a text message from my good friend Mac, who’s currently over in Norway doing geological things apparently – he agreed with an artical I’d written in DSLR User Magazine!

Eh?

Well many moons ago, I wrote an article about how to get your mojo back when you get uninspired with photography, and hey presto, its in there…

Not seen it myself, but go have a look in WH Smith, or even buy the mag! Quite ironic really as I’ve semi-lost my mojo – still taking lots of shots, but not really hitting the mark I’m aiming for as often as I’d like.

That’s not large format…THIS is large format

Filed under Mark, Technique, Uncategorized Tags: — • Written by Mark @ 3:57 pm

Have trouble carting your gear around? Does your camera hang heavy around your neck and you need a large car to cart it all around in? Well Shaun Irving goes that little bit farther with his camera, it does not need a vehicle to transport, his camera is the vehicle…..It’s a camera truck! An old mail van, army surplus lenses (including one from a submarine periscope) and buckets of chemicals!

What I really like about the prints are their organic and random nature, the visual results, flaws and lucky happenstance tie into my earlier post about aesthetics. Photos such as the one below have a wonderful ethereal feeling that just invites the viewer to explore and see what is in the picture. It is much more engaging with the viewer encouraging dialogue and a greater appreciation for the image. That and it is just a damn cool idea!

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“Windmills” Tablate, Spain. © Shaun Irvin

The idea is so cool, that he even had a documentary movie made about him and his truck. Check out the gallery on his site for many more great photos. I would love to see one of these in the flesh.

Story is via The New Yorkers  Lens Blog, check it out for more background on the project.

Out of this world

Filed under Mark, Uncategorized Tags: — • Written by Mark @ 10:40 pm

apolloThere are few photo opportunities that really leave you gobsmacked and in awe of the situation, well this month sees the anniversary of the Apollo 11 landings, a massive feat in the field of human endeavour, what can you say?  In any photographic scenario content is always king, what are you covering, what story are you trying to tell? Here we have one that sums up a lot  of the greatness of the human spirit, endeavour, risk, humility and hope. The astronauts themselves thought they had a 50-50 chance of getting home again.

It is also a story of human nature, the reluctance of Neil Armstrong to be the all conquering global hero that people want him to be, the voracity of Buzz, which i think is ace… and the silent participation of Michael Collins, who was constantly going through disaster (and recovery) scenarios as his friends and compatriots were on a totally alien surface.

All too often documentary is about suffering, illness, pain and tragedy, sometimes it needs a kick, a look at endeavour, reach and the real strength of the human spirit. Long may we see such things.

Nasa’s Apollo 11 Photos.

Nasa’s Astronomical picture of the day

And if you have Vertigo the most piss your pants shot ever.

The Press Photographer’s Year 2009

Filed under James, Loves, Personal, creative • Written by James @ 9:55 am

The Press Photographer’s Year (PPY) is a competition open to all press photographer’s working in the UK (or outside the UK for UK-based publications) and showcases some of the very best editorial photography around. The 2009 award-winning entries have recently been chosen and you can now view them all on the PPY’s website.

There are some incredibly inspiring shots on there, not to mention winners from previous years to browse through if you have the time.

Thank you Olympus

Filed under Mark, Rants • Written by Mark @ 10:29 pm

I happened to be in London today, and dropped into a camera store or two to see if they had the Olympus E-P1. They did, however, the kit I was interested in – namely the pancake lens and viewfinder – was not shipping for a couple of weeks. I popped into the next store, Jessops, and lo and behold there was a rep from Olympus there with one of each of the kits letting people try them out. Score!

So, I promptly went over and had about 10 minutes having a go with it and listening to the spiel. The external viewfinder was nice enough, just like a classic viewfinder on rangefinders, so a dumb viewfinder, not displaying any settings or info, that’s ok i wasn’t really expecting it would. Right, I thought,  lets look at Manual Focus, it’s a compact sized camera with (finally!) a decent MF ring on the lens, cool, no focus markings on it which is a shame, ok…so lets look at the rear screen to see if i can see a gauge of where it is focusing and work from there? No.

That’s right, no. As a camera it has a very natural way to manual focus, a focus ring on the lens barrel, yet cripples you from actually doing so by making it automatically jump into a zoomed in “liveview” of the middle of the scene when you touch the focus ring. Therefore you only see the central point, and not the whole scene.  What the hell? This is forcing you to always focus recompose (not so good if you are shooting wide open) or fiddle with the controls to move your zoomed in view around the scene…making for a not very quick method of working. Plus in my mind it’s the wrong way round, you should compose then focus as you are doing that, not sort of compose, then manual focus then have to recompose unless, of course,  you want everything placed centrally all the time… what the hell were they thinking?

To add even more insult to injury, you can’t turn this feature off, it will always zoom in when you try and manual focus, always. There is also no visual readout on the rear screen (such as there is on several compacts) of where you are focusing, so you can not set your hyperfocal distance and shoot away using the viewfinder. Which, incidentally, effectively renders the viewfinder totally superfluous, as if you use it you are leaving all the focusing up to the camera and forcing yourself to chimp all the time after the moment has passed to see if you got it. Hello Olympus! Can you say decisive moment!?  If you do try to use the viewfinder and set up your focal point manually, using an object at a known distance, and know that a/any given f-stop you’ll have a certain amount of DOF, that’s all well and good until you accidentally knock the MF ring. As there are no external references on the lens barrel to tell you where it is focused,  you’ll not know it has moved. So unless you keep checking regularly your focus could be way off.

To his credit the Olympus rep looked a bit sheepish when i queried the MF usage and how it is insanely limiting, so thank you Olympus you have spared me from buying into the Micro 4/3s system, which was something i had thought would have been inevitable when this olympus was first rumoured, on paper it had so much going for it: compact, larger than normal sensor, interchangeable lenses and fast (ish) primes. Once again it would seem that camera manufacturers don’t love photography.

Hmmm maybe it will be that leica M8 after all…Damn, better get saving. :(

Oh, and for all those saying “use the screen” don’t get me started on that…

Homework–Part3

Filed under Mark, People Tags: — • Written by Mark @ 9:33 pm

Here’s another update to the homework series, this  time the sitter is a Research Technician at a University. I used her job as a basis for a lighting scheme, deciding to introduce a blue theme, through use of both gels on the flash and WB shifts on the camera.

The first was shot with a tungsten WB and the main flash was gelled to match, i then had two bare flashes that turned blue from the WB as did the window light in the kitchen. The others were shot with  a flash WB (in camera) and mixed normal flash with a full CTB blue gelled flash. Anyhow, here they are:

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